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Ho Lin reviews three new spy series for the holidays: "The Day of the Jackal," "The Agency" and "Black Doves."
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"Chungking Express" is the most ingratiating movie in Wong Kar-Wai's filmography, a meditation on love and urban alienation that stays light on its feet.
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"Longlegs" follows the grand tradition of a killer promotional campaign attached to a horror flick--but does it live up to the hype?
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John Woo's updated version of his classic "The Killer" is a frothier, less thematically weighty concoction.
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Eddie Murphy's return as Axel Foley in "Beverly Hills Cop: Axel F" is an amiable drive down memory lane, taking in some over-familiar sights.
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Richard Linklater's amiable "Hit Man" merges noir film tropes with a screwball comedy of deceptions and fake identities.
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Existential despair meets sixties cool in Masahiro Shinoda's landmark noir thriller.
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"Godzilla Minus One" is a rousing reminder that it's still possible to create a crowd-pleasing movie that mixes smarts and humanity.
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We take a look back at the Japan-crazy films of 2003: "Lost in Translation," "Kill Bill Vol. 1" and "The Last Samurai."
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Greta Gerwig's "Barbie" luxuriates in the artificiality of Barbie's world, while injecting plenty of meta-commentary and dissonance.
