-
"Chungking Express" is the most ingratiating movie in Wong Kar-Wai's filmography, a meditation on love and urban alienation that stays light on its feet.
-
"Longlegs" follows the grand tradition of a killer promotional campaign attached to a horror flick--but does it live up to the hype?
-
John Woo's updated version of his classic "The Killer" is a frothier, less thematically weighty concoction.
-
Eddie Murphy's return as Axel Foley in "Beverly Hills Cop: Axel F" is an amiable drive down memory lane, taking in some over-familiar sights.
-
Richard Linklater's amiable "Hit Man" merges noir film tropes with a screwball comedy of deceptions and fake identities.
-
Existential despair meets sixties cool in Masahiro Shinoda's landmark noir thriller.
-
"Godzilla Minus One" is a rousing reminder that it's still possible to create a crowd-pleasing movie that mixes smarts and humanity.
-
We take a look back at the Japan-crazy films of 2003: "Lost in Translation," "Kill Bill Vol. 1" and "The Last Samurai."
-
Greta Gerwig's "Barbie" luxuriates in the artificiality of Barbie's world, while injecting plenty of meta-commentary and dissonance.
-
"Mission: Impossible - Dead Reckoning Part One" trots out many of the old tricks, but the overall vibe is more somber this time around.
